Included phrase generators: Arpeggiator, Bass Generator, Chord Generator, Dyads Run, Generator, Fingerpicking Generator, Generic Generator, Phrase Container, Piano Run Generator, Strings Staccato Generator, Piano Chord Pattern Generator, Strum Pattern Generator, only in the full edition: Melody Generator, Random Melody Generator, Phrase Morpher.Included rhythm generators: Schillinger’s Interference, Polyrhythm, Subdivision, Generic Rhythm, Probabilistic Rhythm, Euclidean Rhythm, Smooth Rhythm, Bass Rhythm, Simple Intervals, Toggle Intervals.Chord Selector offers ‘Chord List’, ‘Scale Degrees’, ‘Palette’, ‘Chord Builder’ and ‘Circle Of Fifths’. Easy chord entry from Chord Selector, Circle Of Fifths chart, MIDI keyboard, or computer keyboard.Chord suggestions, chord progression generation with optional borrowed chords, chord progression rules editing, chord voicing editing and assigning to tracks and phrases.Master track with chords (note names or universal notation) which all phrases automatically conform to.Advanced tools for phrase editing, phrase generation, phrase morphing, phrase grouping, motif development, chord progression editing.The stacked 4ths – or quartals, as they’re called – gives the chord a very angular sound.īe sure to practice all of these chords in various other keys. From bottom-up, we’re spelling our E7 chord as follow: D (7th), G# (3rd), C# (13th), F# (9th), B (5th), E (root). Let’s investigate the voicing that we’re using for the chords above. We’ll use an E7 chord with various upper extensions and comp through our funk groove. Let’s take this idea of stacked 4ths to build a two-handed dominant voicing. For example, the E7#9 chord begins with the G# (the 3rd), then uses a note up a diminished 4th (D, the 7th), and finally stacks a note up another 4th (G, the #9). We are voicing these chords in 4ths in the right hand, meaning that the individual notes of the chords are stacked in 4ths. We’ve been working through some dominant 7 #9 chords above. įunk Piano Chords: Quartals (Two-Handed Voicings in 4ths) The Eb7#9 voicing should have an F# as the top note, not G#. NOTE: There is an error in the sheet music below. Take a listen to the example below which uses the same E7#9 chord in the above example, but adds some of these side-stepping/outside chords (half-step above and below) to create some cool-sounding resolutions. Generally we use this side-stepping technique by playing a chord a half-step above or below our intended target chord. This is often referred to as “taking the chord outside” and can be a very effective technique for creating funky tension and resolution, provided you know how to resolve to the “inside” chord. Why would you do that? Because by playing a chord that is a step away from the chord (or key) which you intend to play, and then resolving that “outside” chord to your target chord, you create a cool-sounding resolution. Side-stepping, also called “outside” playing, refers to playing a chord that seemingly has nothing to do with the chord you want to play. For another classic example of the dominant 7th sharp 9 chord in practice check out our lesson on Stevie Wonder’s hit “Higher Ground.”įunk Piano Chords: Side-stepping (Taking it Outside)Īnother very classic funk piano chord technique is called side-stepping. Below is a simple funk riff using an E7#9 chord. The sound of the dominant 7th sharp 9 chord is a classic funk sound. The 9th is what we call an “available upper extension.” Although the 9th as an upper extension can be used on major, minor, and dominant 7th chords, the “sharp 9th” is referred to as an “altered extension” and it is generally only used on dominant chords. Sharp 9 chords refer to dominant 7th chords. Let’s get started! Funk Piano Chords: Sharp 9 Voicings By explaining the voicings and the theory you will hopefully have a better understanding of how the chords are constructed and how to build and use these funk piano chords in different keys. These funk piano chords can be used in various settings and genres so we’ll spend some time looking at the specific voicings that are being used as well as the theory behind these chords. In this article we’re going to look at a few different types of funk piano chords that are important parts of funk playing.
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